TVNZ, which is supposed to make a profit and pay dividends, is forecasting a loss of $15 million next year and is making extensive cuts to its operation. RNZ, which is fully-funded and therefore not expected to be profitable, is wondering how to spend a surplus of $8 million.
Although the three ministers — Clare Curran,
Kris Faafoi and Willie Jackson — must shoulder the blame for allowing this
situation to develop, its root cause lies in their reliance on the broadcasters
politically-appointed boards and their chief executives to make strategic
decisions about using the internet to replace broadcasting for transmission of
television and radio programmes to the home. Joining the news and entertainment
media’s headlong rush into a low-cost digital future, the state broadcasters
are leaving their audiences behind and gradually relinquishing their critical
fourth-estate role as a strong and independent voice, free of political or
commercial influence.
The media are said to be powerful. But the
power resides in the audience; the larger it is the greater is its power to
cause embarrassment and, thereby, prompt action by politicians.
New Zealand’s biggest audiences are the
approximately 800,000 viewers of the two evening television news bulletins and
a similar number of listeners to talk radio in the morning. Television audience
numbers are compiled by Nielsen, an American information, data and market
measurement firm, and published weekly. Measurement of radio audiences is done
three times a year by GfK, a German market research company, under contract to
the Radio Broadcasters Association (RBA) representing commercial radio
stations. The ratings for commercial radio, important for establishing
advertising rates and marketing, are published by the RBA. Publication of the
audience figures for RNZ’s two networks, National and Concert, are compiled at
the same time as commercial radio but, based on a national survey, are not
directly comparable. Nevertheless, the potential for comparing the audiences
for the breakfast and drivetime shows has been stymied since 2022 when RNZ
stopped publishing the figures for individual shows, called day parts.
While the Australian-owned NewstalkZB radio
network can claim top spot for their breakfast show with a 24.2% audience share
and 17.7% in drivetime, no similar figures are available for the
taxpayer-funded public radio’s Morning Report and Checkpoint programmes.
The last time that RNZ published audience
figures for those two programmes was in May 2022 after the first of GfK’s four
surveys that year. The audience for Morning Report was 429,100 and 265,700 for
Checkpoint. Two programmes recording the biggest growth in listeners were
Sunday Morning with Jim Mora (331,600, up by 5.3% on the previous survey) and
Saturday Morning with Kim Hill (311,800, also up by 5.3%).
Overall, the combined audience levels for RNZ
National and Concert showed “solid growth”, according to RNZ’s media statement.
In a typical week 745,600 New Zealanders aged 10+ listened to RNZ radio
stations: 633,700 to news and talk on National (up 1.1% on the previous survey
in the fourth quarter of 2021) and 236,600 to music on Concert (up 0.5%).
But here endeth the good news. Faced with a
steep decline in audience numbers in the following year, RNZ adopted the
approach taken by China’s National Bureau of Statistics which ceased
publication of youth unemployment data this August when numbers out of work hit
a record high.
Results of the second of GfK’s three surveys
this year reveal that RNZ’s two networks lost over 100,000 listeners in 15
months. The combined audience for National and Concert plummeted by 96,900 from
745,600 in May 2022 to 648,700 in August this year. National took by far the
biggest hit, down by 101,300 listeners in a typical week to 532,400 while
Concert’s audience declined by 44,000 to 192,000 over the same period.
A decline in audience that would be
catastrophic for a commercial radio station reliant on advertising for revenue
barely rated a passing mention in NZ on Air’s biennial “Where are the audiences
2023?” survey, published in September.
The caption on page 74 (of 107), comparing
the daily reach of radio stations over time, notes that all radio stations
showed audience declines since 2021 although “RNZ National in particular is
significantly down from the more than one in ten (12%) in 2021.”
The 12% daily reach figure, based on answers
from around 400 respondents aged 15+, is not far off the 12.8% share of all
radio audiences reported by GfK and well down on the 16.2% combined station
share for RNZ’s two networks in the final quarter of 2021.
Listeners to National and Concert are funded
through — not by — NZ on Air which only acts as a funnel for pouring cash into
RNZ in amounts set in negotiations between themselves, the Ministry for Culture
and Heritage (MCH), and the Treasury. Despite its nominal role of being the
broadcaster’s funder, NZ on Air takes no interest in how the money is spent or
the value taxpayers are getting from it. The “significant” decline in audience
does not rate a mention in the “Where are the audiences?” summary of seven “key
insights” which are mostly about growth in use of digital media.
A similar emphasis on RNZ’s use of digital
technology to add video and text to its audio content is apparent in its media
release reporting the bare bones of GfK’s second survey this year. Headlined
“Outstanding public media that matters” and published on its website on Friday
25 August, RNZ reports that its managers have been “busy planning for the
future in the wake of its funding increase and decision to keep it as the
standalone independent, non-commercial public media organisation for Aotearoa.”
A windfall increase of $25.7 million, taking
RNZ’s total annual funding to $76.1 million, was announced by Broadcasting and
Media Minister, Willie Jackson, on Thursday 6 April. Clearly taking RNZ by
surprise, the increase came from the budget for establishing a new “public
media” loosely based on merging the Government’s non-commercial radio networks
with its rampantly commercial television channels.
RNZ had already done handsomely under Labour.
From its establishment as a stand-alone taxpayer funded public radio
broadcaster in 1996, Radio New Zealand’s annual funding rose steadily from $20
million to reach $35 million a year until 2011 when National imposed a
seven-year funding freeze. The election of the Labour-NZ First coalition
government in 2017 saw funding rise again, to $43 million in 2018, $47 million
in 2019 and $48 million in 2020. Another $10-12 million was promised following
the abandonment of the media merger that never was.
Money is not the problem but rather the use
to which it has been put since 2013 when Paul Thompson took over as chief
executive. Declaring radio to be a dying medium, he has diverted funding and
other resources into creating video and text for RNZ’s website which, lacking
click bait and compelling headlines, now languishes a distant third in visits
per month behind the news websites of Stuff and NZME.
His attempt to move Concert on-line, freeing
up its national broadcast frequencies for a youth-orientated programme, was a
political disaster. That was quickly followed by a decision to abandon the plan
to run a non-commercial television channel in favour of making video for RNZ’s
website. Most recently, his handling of the “inappropriate” editing of Reuters
and BBC copy by one website journalist , dubbed “Russiagate” internally, came
in for criticism in an independent report from high-priced lawyers paid $480 an
hour. Their report revealed management failures in organising the digital side
of RNZ’s editorial output going back to 2016.
Thompson completed 10 years in the job in
September and is a permanent employee of RNZ. “The very nature of being a
permanent employee is that there is no expiry date to such a contract,” according
to George Bignell, RNZ’s legal adviser and procurement manager, responding to a
request lodged under the Official Information Ac for the termination date on
the chief executive’s employment contract. Meanwhile, RNZ’s failure to publish
ratings for individual programmes, first requested under the OIA in July last
year, remains under investigation by the Ombudsman’s office.
A chief executive on an employment contract
with no termination date is extremely rare, if not unique, in the public
sector. A decision on whether Thompson has passed his use-by date is just one
of many awaiting the attention of the next broadcasting and media minister.
Factors that the minister needs to take into account are Thompson’s assertion,
a few months after starting work, that radio as a medium was on its last legs.
“Radio, television and newspapers are merging
into digital devices that are always switched on,” he wrote in his notes for a
speech to the Commonwealth Broadcasting Association Conference in Glasgow on
Monday 12 May 2014.
“The future of content delivery is
multi-media, multi-platform, personalised, mobile and social.
“To stay relevant and continue our mission of
serving the public, and to maintain and grow our audience, we must become and
are becoming a multi-media organisation.”
A decade later, his prediction that radio is
a dying medium is refuted by the audience figures for commercial radio which
remain at pre-covid levels.
“New Zealand’s commercial radio industry
remains exceptionally strong with growth to over 3.41 million Kiwis tuning in
every week,” according to the media statement accompanying the results of GfK’s
second Radio Audience Survey in 2023, published on Friday 25 August.
Alistair Jamison, the RBA’s chief executive,
said: “Today's data shows that radio continues to provide Kiwis with the
information, entertainment and content they want and as a result we connect
with 75% of NZ each week.”
The contrast with RNZ’s performance cannot be
ignored. Rather than remaining relevant and growing its audience RNZ has lost
around 20% of listeners to its National programme.
The question that the next broadcasting and
media minister must answer is: How much has RNZ’s role as the country’s public
broadcaster been damaged by trying to turn it into a “multi-media
organisation”? The minister, whoever he or she is, must keep in mind that the
answer is of greatest interest to one group — taxpayers. Are they getting value
for money?
Tom Frewen is a media commentator and satirist whose day job
reporting Parliament for radio spanned 22 years.
10 comments:
Vital issue in every way. This area is failing yet has remained very powerful as a political (propaganda) weapon under the outgoing govt.
Dismantle it - and start again to regain a creditable 4th Estate.
It was the maorification of Radio New Zealand that permanently switched me off their airwaves during Guyon Espiner’s time on Morning Report. RNZ seemedvto become little more than a lefty bastion of propaganda. Many good, well educated announcers were chased away and replaced by poor substitutes. Just not worth my time. Haven’t tuned in since.
Like very many others I have more or less given up on TV. I only watch Country Calendar and some of the engineering, disaster, air crash and similar documentaries. Old style humour has gone, victim of PC. There are no refined objective prime time interviews as Bryan Edwards long ago. The news presenters strive to present "shows", with silly contrive implied relationships between presenters. The news is not objective. Maori words confuse, insult and offend.
What happens to TV is of little concern to me.
I am more interested in RNZ which I have followed since schooldays, mainly as background to hobby and chore occupation. In the move to popularise, RNZ has lost much of its audience. They have attempted to appeal to all and have alienated all. Despite the determined pandering to maori, Willie Jackson conceded in an RNZ interview that few of his associates listen to RNZ. Management presume correctly that many are mature often retired persons with the time to listen. The assumption is that these are dying off. The constant replacement of intelligent thoughtful persons retiring is dismissed. Programmes and music have been hugely dumbed down. The eclectic Peter Fry programme on Sat night has been replaced by plebs requesting the plebeian music of their distant plebeian youth. Interludes of cacaphonic music are routine. Nothing remotely light classical and very little from the tuneful eras pre 1970s. The early weekend hours, when many persons can listen, are filled with children's stories like the school journals of 70 years ago but more relentlessly boring, idyllic, and fake pro maori. (The stories are written for fellow writers, the kids are all on their play stations.)
On public holidays, with new listeners available, the mostly inane Matinee Idle.
The relentless soft usually led pro maori interviews of activist maoris and of insignificant maoris by maoris/pro maoris have eliminated many listeners. The blatant incessant campaigning subjective bias of some interviewers even more so (ie Mahurangi? Forbes) Gratuitous maori words (motu, weekdays, main centres, whanau, rangatahi, mahi, kura etc) insult, offend and confuse. Lengthy bouts of show off te reo ditto. The non objective pro government propaganda bias and slavish adherence to PIJFund conditions, extending to all programmes, shook off more listeners.
Despite the Terms of Reference seeming to include all aspects of editorial revue, the recent inquiry discretely confined itself to the Ukranian news amendments (the participants with notable careers presumably terrified like everyone else of cancellation).
Little wonder so many have departed to Hoskins.
Hopefully Minister, Board, and management changes after the elections will improve matters.
Also with Anonymous, after. Espiner spouting 5 mins of untranslated te reo , I gave listening to anything on Radio NZ - breaking the routine of over 40 years.
Yes, the philistines have been in charge, and Willie, for one, will surely go. Perhaps Paul Thompson will have the decency to depart also. Trouble is, so many of us have developed the habit of turning to alternatives. Can RNZ ever get its mojo back?
Willie Jackson wanted to amalgamate the Radio NZ and TVNZ newsrooms so their propaganda messages are consistent.
For which he wanted $330 million !!!!
Agreeing to share resources casts nothing. - another Labour great money vanishing act with no results.
I hope the LP Maori caucus, The Maori Party leaders and John Tamahere, all Maori activists, decolonisers and Kingitanga (which is the driver for all it) all fall off a cliff (figuratively) never to be seen again after the election.
If Seymour and Peters work together in the area of upicking Maorification and takeover of our assets we may have some hope of stopping the anti-democratic bullshit taking over our country.
Election day is nearly here, clap clap, hooray.
MC
Found the article very informative. Seldom/never see similar in the msm. Somewhat confused if the fall in RNZ plus Cocert was 99000 or 145000, but either way the trend staggering. One problem is what is regarded as "listening". There is a big difference in attentive listening to just playing in the background. I clock lengthy hours for the latter but now little of the former, so much being insufficently objective and/ot too pro maori to warrant attention. Most of the treasure is now best accessed through the website, but mauch of audience will not be sufficently determined.
Most of my working career was in NZ broadcasting, both RNZ commercial radio stations until they were sold off, then private commercial radio and newspapers.
We have come a long way, in radio we had a verygood industry with well trained and paid independent journalists and presenters, the emphasis was always on a balanced unbiased coverage. We were proud of our product.
Now we have brainwashed low paid left wing journalists taught by institutions taken over by marxist left wing individuals obsessed with only pushing their world view.
NZ media now is a shameful left wing politically correct brainwashed shadow of its former self.
RNZ National, concert and TVNZ should be sold off asap, hopefully to a more unbiased organization.
All government funding should be abolished immediately including the millions poured into NZ on air and Maori radio and television.
The hundreds of millions saved would go a long way towards rebuilding our failing health system or Police.
I had been a listener of RNZ for over 60 years and never listened to commercial radio. However, after Espiner started with his Maori bent I became so incensed with his arrogance and gave up on Morning Report, one of my favourite programs. I do listen to some spells of the All-nighter when I can't sleep or the BBC is too boring. Loyd Scott was a favourite but he got canned because he was considered too old (he's my age). After the more intense maorification of National Radio that occurred after 2017 I gave up totally.
I now listen to NewstalkZB because it is not leftist and asks hard questions of the politicians. I also used to watch TV One but got angered by its maorification and switched to TV3. However they are following the same woke trend and more maorification is happening there.
NZ on Air needs to be shut down because it is just a waste of taxpayers funds and RNZ and TVNZ need to be flogged off to a commercial outfit that listens to its customers and is not an ideology peddler.
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