David Farrar: Waipareira to be deregistered as a charity

Matt Nippert reports:

Charity regulators have moved to deregister high-profile social services provider Waipareira, concluding a long-running investigation into its funding of chief executive John Tamihere’s political campaigns.

The decision follows a four-year investigation by Charities Services into Waipareira that has seen settlements reached and breached, accusations of racism, and Charities Services staff complain about bullying behaviour from Waipareira’s lawyers.

David Farrar: Tim Murphy on Luxon

Tim Murphy writes:

Luxon's coalition is relentless about its 49 points to be actioned and verified to the public before day 100, on Friday week.

He says he receives detailed updates twice a week showing progress on all initiatives and whether they are “on-track, off-track or ahead of programme”. He meets ministers and ensures their priorities are the 100-day priorities.

David Farrar: An unusual crown observer appointment

Shane Reti announced:

health Minister Dr Shane Reti is appointing a Crown observer to Health New Zealand – Te Whatu Ora, citing significant ongoing challenges around the 2022 health reforms.

“I have carefully considered the hard work which has gone on around Health NZ since its establishment,” Dr Reti said.

Karl du Fresne: The pleasure of having one's prejudices confirmed

I forced myself to watch Web of Chaos, Tuesday night’s state-funded TVNZ documentary that promised “a deep dive into the world of disinformation”.
It’s sad that I should regard it as a chore to watch something I helped to pay for, but that’s the way it is. I wanted to satisfy myself that Web of Chaos was exactly what I expected, and so it turned out. There are few things more richly satisfying than having one’s prejudices confirmed.

The first clue was in the name of the director: Justin Pemberton. I vaguely recalled the name from somewhere else, and it soon came to me. Pemberton made Capital in the 21st Century, which I described in 2019 as a masterpiece of the propagandist’s art.

I wrote then that “The film uses every trick in the documentary-maker’s book to dramatise its message, which is that contemporary capitalism is overwhelmingly rigged in favour of the ultra-rich and basically rotten to the core”.